20th Century Collection
Here is a collection of our 20th Century collection, some of which is featured in our gallery. Containing a lot of figurative work from artists such as Paul-Henri Bourguignon, Otto Neumann, Jack Meanwell, and Thomas Zuck, the human figure is the focal point of our collection.
Milton H Greene - Marilyn Monroe (From the Black Sitting), 1956
$5,500.00
Mixed Media on Paper
35 x 46 ″
ed. 190/300. Milton H. Greene (1922-1985) was an American photographer best known for his photoshoots with Marilyn Monroe. He initially built a career in fashion and celebrity photography, creating work that appeared in well-known magazines such as Vogue. He earned the moniker of "Color Photography's Wonder Boy," and his 1954 photograph of Marilyn Monroe in a ballet tutu was proclaimed by Time Life to be one of the three most popular images of the 20th century.
35 x 46 ″
ed. 190/300. Milton H. Greene (1922-1985) was an American photographer best known for his photoshoots with Marilyn Monroe. He initially built a career in fashion and celebrity photography, creating work that appeared in well-known magazines such as Vogue. He earned the moniker of "Color Photography's Wonder Boy," and his 1954 photograph of Marilyn Monroe in a ballet tutu was proclaimed by Time Life to be one of the three most popular images of the 20th century.
Elizabeth Martineau - Untitled (Portrait of a Woman), 1988
$4,500.00
Acrylic on Paper
27.5 x 21.5 ″
Elizabeth Martineau, a Haitian artist born in Port-au-Prince, was shaped by an artistic milieu, raised in the home of her uncle, architect and sculptor Albert Mangones, co-founder of Haiti’s Centre d’Art. Exiled during youth, she engaged with artists like Fernando Botero in Colombia and Lois Mailou Jones in Washington, DC. Martineau’s technique involves layering paper on Arches paper or canvas, painting with acrylics, and outlining subjects in bold black, accentuated by vibrant colors and gold streaks. Her works, depicting serene figures, priestesses, and masks, evoke Caribbean and African themes. She holds degrees from the University of Medellín and Corcoran School of Art.
27.5 x 21.5 ″
Elizabeth Martineau, a Haitian artist born in Port-au-Prince, was shaped by an artistic milieu, raised in the home of her uncle, architect and sculptor Albert Mangones, co-founder of Haiti’s Centre d’Art. Exiled during youth, she engaged with artists like Fernando Botero in Colombia and Lois Mailou Jones in Washington, DC. Martineau’s technique involves layering paper on Arches paper or canvas, painting with acrylics, and outlining subjects in bold black, accentuated by vibrant colors and gold streaks. Her works, depicting serene figures, priestesses, and masks, evoke Caribbean and African themes. She holds degrees from the University of Medellín and Corcoran School of Art.
William Downing - Untitled (hexagon), c. 1960
$2,500.00
liquitex paint and varnish on board
24 x 34.5 ″
24 x 34.5 ″
Otto Neumann - Untitled, 1969
$7,500.00
Monotype on paper
24.5 x 17.5 ″
Otto Neumann (1895-1975) was a German expressionist painter and printmaker. Neumann made work based on the human form and his own literary interests, including Dante's Inferno, African fairy tales, and the Passion of Christ. During the Nazi regime, Neumann's work was labeled as "degenerate"; his refusal to divorce his Jewish wife, Hilde (whose family later fled the country) further hurt his prospects. After the war he still took an interest with the subjects of classical antiquity and myth, but never returned to the medium of oil or watercolor. He became depressed and reliant on medication, and eventually self-admitted to a sanitarium, but continued to work. It was only a year after Hilde's death in 1970 that he stopped producing work entirely. Many artists that were young during the later part of Neumann's career drew inspiration from and identified with his highly abstracted forms. Much of Neumann's earlier work, on the other hand, would have been destroyed by the artist himself had it not been for Hilde taking and storing them. It is thanks to her that, to this day, some of his early work is still known and regarded highly.
24.5 x 17.5 ″
Otto Neumann (1895-1975) was a German expressionist painter and printmaker. Neumann made work based on the human form and his own literary interests, including Dante's Inferno, African fairy tales, and the Passion of Christ. During the Nazi regime, Neumann's work was labeled as "degenerate"; his refusal to divorce his Jewish wife, Hilde (whose family later fled the country) further hurt his prospects. After the war he still took an interest with the subjects of classical antiquity and myth, but never returned to the medium of oil or watercolor. He became depressed and reliant on medication, and eventually self-admitted to a sanitarium, but continued to work. It was only a year after Hilde's death in 1970 that he stopped producing work entirely. Many artists that were young during the later part of Neumann's career drew inspiration from and identified with his highly abstracted forms. Much of Neumann's earlier work, on the other hand, would have been destroyed by the artist himself had it not been for Hilde taking and storing them. It is thanks to her that, to this day, some of his early work is still known and regarded highly.
Otto Neumann - Untitled, 1963
$7,860.00
Monotype on paper
18 x 25 ″
Otto Neumann (1895-1975) was a German expressionist painter and printmaker. Neumann made work based on the human form and his own literary interests, including Dante's Inferno, African fairy tales, and the Passion of Christ. During the Nazi regime, Neumann's work was labeled as "degenerate"; his refusal to divorce his Jewish wife, Hilde (whose family later fled the country) further hurt his prospects. After the war he still took an interest with the subjects of classical antiquity and myth, but never returned to the medium of oil or watercolor. He became depressed and reliant on medication, and eventually self-admitted to a sanitarium, but continued to work. It was only a year after Hilde's death in 1970 that he stopped producing work entirely. Many artists that were young during the later part of Neumann's career drew inspiration from and identified with his highly abstracted forms. Much of Neumann's earlier work, on the other hand, would have been destroyed by the artist himself had it not been for Hilde taking and storing them. It is thanks to her that, to this day, some of his early work is still known and regarded highly.
18 x 25 ″
Otto Neumann (1895-1975) was a German expressionist painter and printmaker. Neumann made work based on the human form and his own literary interests, including Dante's Inferno, African fairy tales, and the Passion of Christ. During the Nazi regime, Neumann's work was labeled as "degenerate"; his refusal to divorce his Jewish wife, Hilde (whose family later fled the country) further hurt his prospects. After the war he still took an interest with the subjects of classical antiquity and myth, but never returned to the medium of oil or watercolor. He became depressed and reliant on medication, and eventually self-admitted to a sanitarium, but continued to work. It was only a year after Hilde's death in 1970 that he stopped producing work entirely. Many artists that were young during the later part of Neumann's career drew inspiration from and identified with his highly abstracted forms. Much of Neumann's earlier work, on the other hand, would have been destroyed by the artist himself had it not been for Hilde taking and storing them. It is thanks to her that, to this day, some of his early work is still known and regarded highly.
Otto Neumann - Untitled, 1953
$6,300.00
Monotype on paper
21 x 15 ″
Otto Neumann (1895-1975) was a German expressionist painter and printmaker. Neumann made work based on the human form and his own literary interests, including Dante's Inferno, African fairy tales, and the Passion of Christ. During the Nazi regime, Neumann's work was labeled as "degenerate"; his refusal to divorce his Jewish wife, Hilde (whose family later fled the country) further hurt his prospects. After the war he still took an interest with the subjects of classical antiquity and myth, but never returned to the medium of oil or watercolor. He became depressed and reliant on medication, and eventually self-admitted to a sanitarium, but continued to work. It was only a year after Hilde's death in 1970 that he stopped producing work entirely. Many artists that were young during the later part of Neumann's career drew inspiration from and identified with his highly abstracted forms. Much of Neumann's earlier work, on the other hand, would have been destroyed by the artist himself had it not been for Hilde taking and storing them. It is thanks to her that, to this day, some of his early work is still known and regarded highly.
21 x 15 ″
Otto Neumann (1895-1975) was a German expressionist painter and printmaker. Neumann made work based on the human form and his own literary interests, including Dante's Inferno, African fairy tales, and the Passion of Christ. During the Nazi regime, Neumann's work was labeled as "degenerate"; his refusal to divorce his Jewish wife, Hilde (whose family later fled the country) further hurt his prospects. After the war he still took an interest with the subjects of classical antiquity and myth, but never returned to the medium of oil or watercolor. He became depressed and reliant on medication, and eventually self-admitted to a sanitarium, but continued to work. It was only a year after Hilde's death in 1970 that he stopped producing work entirely. Many artists that were young during the later part of Neumann's career drew inspiration from and identified with his highly abstracted forms. Much of Neumann's earlier work, on the other hand, would have been destroyed by the artist himself had it not been for Hilde taking and storing them. It is thanks to her that, to this day, some of his early work is still known and regarded highly.
Herbert Barnett - Untitled Landscape
$7,500.00
Oil on Board
24 x 36 ″
Herbert Barnett (1910-1972), a Rhode Island-born and highly acclaimed artist, drew from both schools of representational art and the rich tradition of the Cubists. His style is recognizable through its technical proficiency, rectangular brushstrokes, and abstracted subject matter. Works by Barnett are on display in collections across the nation, including the Cincinnati Art Museum and the National Collection of Fine Arts in Washington, D.C.
24 x 36 ″
Herbert Barnett (1910-1972), a Rhode Island-born and highly acclaimed artist, drew from both schools of representational art and the rich tradition of the Cubists. His style is recognizable through its technical proficiency, rectangular brushstrokes, and abstracted subject matter. Works by Barnett are on display in collections across the nation, including the Cincinnati Art Museum and the National Collection of Fine Arts in Washington, D.C.
Harry Reisiger - Landscape, Ireland #265, 1994
$1,800.00
Oil on Canvas
16 x 20 ″
Oil on board H 16in X W 20in
16 x 20 ″
Oil on board H 16in X W 20in
Donald Baechler - Coney Island, 1994
Sale Price:
$3,000.00
Original Price:
$3,750.00
Screenprint
29 x 29 ″
Donald Baechler (1956-2022), a New York-based painter and sculptor, made work that largely dealt in childlike themes. He repeatedly drifted towards subjects like balls, blocks, figures, and flowers, and his work was noted to be playful, sunny, and animated - vivid colors, nostalgic imagery, and expressive figures drawing in audiences both young and old. His work is a part of several museum collections, including the MoMA, the Museum of Fine Arts Boston, and the Guggenheim.
29 x 29 ″
Donald Baechler (1956-2022), a New York-based painter and sculptor, made work that largely dealt in childlike themes. He repeatedly drifted towards subjects like balls, blocks, figures, and flowers, and his work was noted to be playful, sunny, and animated - vivid colors, nostalgic imagery, and expressive figures drawing in audiences both young and old. His work is a part of several museum collections, including the MoMA, the Museum of Fine Arts Boston, and the Guggenheim.
William Downing - Untitled (curtain), c. 1960
$1,250.00
liquitex paint and varnish on board
16 x 17.75 ″
16 x 17.75 ″
Otto Neumann - Untitled, 1965
$7,860.00
Monotype on paper
24 x 17 ″
Otto Neumann (1895-1975) was a German expressionist painter and printmaker. Neumann made work based on the human form and his own literary interests, including Dante's Inferno, African fairy tales, and the Passion of Christ. During the Nazi regime, Neumann's work was labeled as "degenerate"; his refusal to divorce his Jewish wife, Hilde (whose family later fled the country) further hurt his prospects. After the war he still took an interest with the subjects of classical antiquity and myth, but never returned to the medium of oil or watercolor. He became depressed and reliant on medication, and eventually self-admitted to a sanitarium, but continued to work. It was only a year after Hilde's death in 1970 that he stopped producing work entirely. Many artists that were young during the later part of Neumann's career drew inspiration from and identified with his highly abstracted forms. Much of Neumann's earlier work, on the other hand, would have been destroyed by the artist himself had it not been for Hilde taking and storing them. It is thanks to her that, to this day, some of his early work is still known and regarded highly.
24 x 17 ″
Otto Neumann (1895-1975) was a German expressionist painter and printmaker. Neumann made work based on the human form and his own literary interests, including Dante's Inferno, African fairy tales, and the Passion of Christ. During the Nazi regime, Neumann's work was labeled as "degenerate"; his refusal to divorce his Jewish wife, Hilde (whose family later fled the country) further hurt his prospects. After the war he still took an interest with the subjects of classical antiquity and myth, but never returned to the medium of oil or watercolor. He became depressed and reliant on medication, and eventually self-admitted to a sanitarium, but continued to work. It was only a year after Hilde's death in 1970 that he stopped producing work entirely. Many artists that were young during the later part of Neumann's career drew inspiration from and identified with his highly abstracted forms. Much of Neumann's earlier work, on the other hand, would have been destroyed by the artist himself had it not been for Hilde taking and storing them. It is thanks to her that, to this day, some of his early work is still known and regarded highly.
Otto Neumann - Untitled, 1959
$8,500.00
Monotype on paper
17 x 24 ″
Otto Neumann (1895-1975) was a German expressionist painter and printmaker. Neumann made work based on the human form and his own literary interests, including Dante's Inferno, African fairy tales, and the Passion of Christ. During the Nazi regime, Neumann's work was labeled as "degenerate"; his refusal to divorce his Jewish wife, Hilde (whose family later fled the country) further hurt his prospects. After the war he still took an interest with the subjects of classical antiquity and myth, but never returned to the medium of oil or watercolor. He became depressed and reliant on medication, and eventually self-admitted to a sanitarium, but continued to work. It was only a year after Hilde's death in 1970 that he stopped producing work entirely. Many artists that were young during the later part of Neumann's career drew inspiration from and identified with his highly abstracted forms. Much of Neumann's earlier work, on the other hand, would have been destroyed by the artist himself had it not been for Hilde taking and storing them. It is thanks to her that, to this day, some of his early work is still known and regarded highly.
17 x 24 ″
Otto Neumann (1895-1975) was a German expressionist painter and printmaker. Neumann made work based on the human form and his own literary interests, including Dante's Inferno, African fairy tales, and the Passion of Christ. During the Nazi regime, Neumann's work was labeled as "degenerate"; his refusal to divorce his Jewish wife, Hilde (whose family later fled the country) further hurt his prospects. After the war he still took an interest with the subjects of classical antiquity and myth, but never returned to the medium of oil or watercolor. He became depressed and reliant on medication, and eventually self-admitted to a sanitarium, but continued to work. It was only a year after Hilde's death in 1970 that he stopped producing work entirely. Many artists that were young during the later part of Neumann's career drew inspiration from and identified with his highly abstracted forms. Much of Neumann's earlier work, on the other hand, would have been destroyed by the artist himself had it not been for Hilde taking and storing them. It is thanks to her that, to this day, some of his early work is still known and regarded highly.
Otto Neumann - Untitled, 1953
$6,300.00
Monotype on paper
21 x 15 ″
Otto Neumann (1895-1975) was a German expressionist painter and printmaker. Neumann made work based on the human form and his own literary interests, including Dante's Inferno, African fairy tales, and the Passion of Christ. During the Nazi regime, Neumann's work was labeled as "degenerate"; his refusal to divorce his Jewish wife, Hilde (whose family later fled the country) further hurt his prospects. After the war he still took an interest with the subjects of classical antiquity and myth, but never returned to the medium of oil or watercolor. He became depressed and reliant on medication, and eventually self-admitted to a sanitarium, but continued to work. It was only a year after Hilde's death in 1970 that he stopped producing work entirely. Many artists that were young during the later part of Neumann's career drew inspiration from and identified with his highly abstracted forms. Much of Neumann's earlier work, on the other hand, would have been destroyed by the artist himself had it not been for Hilde taking and storing them. It is thanks to her that, to this day, some of his early work is still known and regarded highly.
21 x 15 ″
Otto Neumann (1895-1975) was a German expressionist painter and printmaker. Neumann made work based on the human form and his own literary interests, including Dante's Inferno, African fairy tales, and the Passion of Christ. During the Nazi regime, Neumann's work was labeled as "degenerate"; his refusal to divorce his Jewish wife, Hilde (whose family later fled the country) further hurt his prospects. After the war he still took an interest with the subjects of classical antiquity and myth, but never returned to the medium of oil or watercolor. He became depressed and reliant on medication, and eventually self-admitted to a sanitarium, but continued to work. It was only a year after Hilde's death in 1970 that he stopped producing work entirely. Many artists that were young during the later part of Neumann's career drew inspiration from and identified with his highly abstracted forms. Much of Neumann's earlier work, on the other hand, would have been destroyed by the artist himself had it not been for Hilde taking and storing them. It is thanks to her that, to this day, some of his early work is still known and regarded highly.
Paul Chidlaw - Dawn in the Clear Morning Air, 1976
$9,800.00
Oil on Board
25.5 x 32 ″
Oil on board 25.5 x 32 inches Framed Signed: Chidlaw
25.5 x 32 ″
Oil on board 25.5 x 32 inches Framed Signed: Chidlaw
Harry Reisiger - Joyous Meadow, #264, 1994
$1,800.00
Oil on Canvas
16 x 20 ″
Oil on board H 16in X W 18in
16 x 20 ″
Oil on board H 16in X W 18in
Salvador Dalí - Much ado about Shakespeare / Troilus and Cressida, 1968
$10,000.00
Lithograph
14 x 11 ″
Salvador Dali (1904-1989) Publisher: Jean Schneider As an individual involved in the world of literature, Dali was known for bringing several classics to life through his work. He continually returned to Shakespeare especially as subject matter. This print is part of a series of 15 unique designs, each depicting a moment from Shakespeare's works - including Macbeth, Hamlet, Romeo and Juliet, and a portrait of the playwright himself.
14 x 11 ″
Salvador Dali (1904-1989) Publisher: Jean Schneider As an individual involved in the world of literature, Dali was known for bringing several classics to life through his work. He continually returned to Shakespeare especially as subject matter. This print is part of a series of 15 unique designs, each depicting a moment from Shakespeare's works - including Macbeth, Hamlet, Romeo and Juliet, and a portrait of the playwright himself.
Otto Neumann - Untitled, 1953
$8,500.00
Linocut on paper
15 x 21 ″
Otto Neumann (1895-1975) was a German expressionist painter and printmaker. Neumann made work based on the human form and his own literary interests, including Dante's Inferno, African fairy tales, and the Passion of Christ. During the Nazi regime, Neumann's work was labeled as "degenerate"; his refusal to divorce his Jewish wife, Hilde (whose family later fled the country) further hurt his prospects. After the war he still took an interest with the subjects of classical antiquity and myth, but never returned to the medium of oil or watercolor. He became depressed and reliant on medication, and eventually self-admitted to a sanitarium, but continued to work. It was only a year after Hilde's death in 1970 that he stopped producing work entirely. Many artists that were young during the later part of Neumann's career drew inspiration from and identified with his highly abstracted forms. Much of Neumann's earlier work, on the other hand, would have been destroyed by the artist himself had it not been for Hilde taking and storing them. It is thanks to her that, to this day, some of his early work is still known and regarded highly.
15 x 21 ″
Otto Neumann (1895-1975) was a German expressionist painter and printmaker. Neumann made work based on the human form and his own literary interests, including Dante's Inferno, African fairy tales, and the Passion of Christ. During the Nazi regime, Neumann's work was labeled as "degenerate"; his refusal to divorce his Jewish wife, Hilde (whose family later fled the country) further hurt his prospects. After the war he still took an interest with the subjects of classical antiquity and myth, but never returned to the medium of oil or watercolor. He became depressed and reliant on medication, and eventually self-admitted to a sanitarium, but continued to work. It was only a year after Hilde's death in 1970 that he stopped producing work entirely. Many artists that were young during the later part of Neumann's career drew inspiration from and identified with his highly abstracted forms. Much of Neumann's earlier work, on the other hand, would have been destroyed by the artist himself had it not been for Hilde taking and storing them. It is thanks to her that, to this day, some of his early work is still known and regarded highly.
Sandy Skoglund - Peas on a Plate, 1978
Sale Price:
$7,000.00
Original Price:
$7,500.00
Silver dye bleach print
25 x 31 ″
Edition of 11/25. Sandy Skoglund (b. 1946) has a style of photography that is characterized by "[embracing] blatant artificiality," delightful compositions that intentionally repeat patterns and capture viewers with an emphasis on a particular color, and a focus on the subjects of food and animals. She is particularly interested in combining the aesthetics of corporate advertising with the fine art world, expanding on both traditions with a playful exuberance and strong conceptual core.
25 x 31 ″
Edition of 11/25. Sandy Skoglund (b. 1946) has a style of photography that is characterized by "[embracing] blatant artificiality," delightful compositions that intentionally repeat patterns and capture viewers with an emphasis on a particular color, and a focus on the subjects of food and animals. She is particularly interested in combining the aesthetics of corporate advertising with the fine art world, expanding on both traditions with a playful exuberance and strong conceptual core.
Paul-Henri Bourguignon - Blue on Orange
$2,700.00
Acrylic on Paper
13 x 20 ″
Acrylic on PaperH 13in X W 20in Framed Dimensions H 21in X W 28.25in
13 x 20 ″
Acrylic on PaperH 13in X W 20in Framed Dimensions H 21in X W 28.25in
Harry Reisiger - Duet plein air #476
$2,500.00
Acrylic on board
26 x 24 ″
Acrylic on Board25.75” x 23.75”Framed Dimensions: 27” x 23"
26 x 24 ″
Acrylic on Board25.75” x 23.75”Framed Dimensions: 27” x 23"
Henri Matisse - Étude de nu Renverse, 1929
$15,000.00
Etching with chine collé
6.5 x 9 ″
Medium: Etching with chine collé Dimensions: plate: 6 5/8 x 9 3/8" (16.8 x 23.8 cm); sheet: 11 3/16 x 14 15/16" (28 x 38 cm) Edition of 25
6.5 x 9 ″
Medium: Etching with chine collé Dimensions: plate: 6 5/8 x 9 3/8" (16.8 x 23.8 cm); sheet: 11 3/16 x 14 15/16" (28 x 38 cm) Edition of 25
William Downing - Untitled (circle), c. 1960
$2,500.00
liquitex paint and varnish on board
24 x 34.5 ″
24 x 34.5 ″
Otto Neumann - Untitled, 1970
$7,500.00
Monotype on paper
24 x 17 ″
Otto Neumann (1895-1975) was a German expressionist painter and printmaker. Neumann made work based on the human form and his own literary interests, including Dante's Inferno, African fairy tales, and the Passion of Christ. During the Nazi regime, Neumann's work was labeled as "degenerate"; his refusal to divorce his Jewish wife, Hilde (whose family later fled the country) further hurt his prospects. After the war he still took an interest with the subjects of classical antiquity and myth, but never returned to the medium of oil or watercolor. He became depressed and reliant on medication, and eventually self-admitted to a sanitarium, but continued to work. It was only a year after Hilde's death in 1970 that he stopped producing work entirely. Many artists that were young during the later part of Neumann's career drew inspiration from and identified with his highly abstracted forms. Much of Neumann's earlier work, on the other hand, would have been destroyed by the artist himself had it not been for Hilde taking and storing them. It is thanks to her that, to this day, some of his early work is still known and regarded highly.
24 x 17 ″
Otto Neumann (1895-1975) was a German expressionist painter and printmaker. Neumann made work based on the human form and his own literary interests, including Dante's Inferno, African fairy tales, and the Passion of Christ. During the Nazi regime, Neumann's work was labeled as "degenerate"; his refusal to divorce his Jewish wife, Hilde (whose family later fled the country) further hurt his prospects. After the war he still took an interest with the subjects of classical antiquity and myth, but never returned to the medium of oil or watercolor. He became depressed and reliant on medication, and eventually self-admitted to a sanitarium, but continued to work. It was only a year after Hilde's death in 1970 that he stopped producing work entirely. Many artists that were young during the later part of Neumann's career drew inspiration from and identified with his highly abstracted forms. Much of Neumann's earlier work, on the other hand, would have been destroyed by the artist himself had it not been for Hilde taking and storing them. It is thanks to her that, to this day, some of his early work is still known and regarded highly.
Otto Neumann - Untitled
$7,500.00
Charcoal on paper
23.5 x 17 ″
Otto Neumann (1895-1975) was a German expressionist painter and printmaker. Neumann made work based on the human form and his own literary interests, including Dante's Inferno, African fairy tales, and the Passion of Christ. During the Nazi regime, Neumann's work was labeled as "degenerate"; his refusal to divorce his Jewish wife, Hilde (whose family later fled the country) further hurt his prospects. After the war he still took an interest with the subjects of classical antiquity and myth, but never returned to the medium of oil or watercolor. He became depressed and reliant on medication, and eventually self-admitted to a sanitarium, but continued to work. It was only a year after Hilde's death in 1970 that he stopped producing work entirely. Many artists that were young during the later part of Neumann's career drew inspiration from and identified with his highly abstracted forms. Much of Neumann's earlier work, on the other hand, would have been destroyed by the artist himself had it not been for Hilde taking and storing them. It is thanks to her that, to this day, some of his early work is still known and regarded highly.
23.5 x 17 ″
Otto Neumann (1895-1975) was a German expressionist painter and printmaker. Neumann made work based on the human form and his own literary interests, including Dante's Inferno, African fairy tales, and the Passion of Christ. During the Nazi regime, Neumann's work was labeled as "degenerate"; his refusal to divorce his Jewish wife, Hilde (whose family later fled the country) further hurt his prospects. After the war he still took an interest with the subjects of classical antiquity and myth, but never returned to the medium of oil or watercolor. He became depressed and reliant on medication, and eventually self-admitted to a sanitarium, but continued to work. It was only a year after Hilde's death in 1970 that he stopped producing work entirely. Many artists that were young during the later part of Neumann's career drew inspiration from and identified with his highly abstracted forms. Much of Neumann's earlier work, on the other hand, would have been destroyed by the artist himself had it not been for Hilde taking and storing them. It is thanks to her that, to this day, some of his early work is still known and regarded highly.
Otto Neumann - Untitled, 1952
$6,300.00
Monotype on paper
21 x 15 ″
Otto Neumann (1895-1975) was a German expressionist painter and printmaker. Neumann made work based on the human form and his own literary interests, including Dante's Inferno, African fairy tales, and the Passion of Christ. During the Nazi regime, Neumann's work was labeled as "degenerate"; his refusal to divorce his Jewish wife, Hilde (whose family later fled the country) further hurt his prospects. After the war he still took an interest with the subjects of classical antiquity and myth, but never returned to the medium of oil or watercolor. He became depressed and reliant on medication, and eventually self-admitted to a sanitarium, but continued to work. It was only a year after Hilde's death in 1970 that he stopped producing work entirely. Many artists that were young during the later part of Neumann's career drew inspiration from and identified with his highly abstracted forms. Much of Neumann's earlier work, on the other hand, would have been destroyed by the artist himself had it not been for Hilde taking and storing them. It is thanks to her that, to this day, some of his early work is still known and regarded highly.
21 x 15 ″
Otto Neumann (1895-1975) was a German expressionist painter and printmaker. Neumann made work based on the human form and his own literary interests, including Dante's Inferno, African fairy tales, and the Passion of Christ. During the Nazi regime, Neumann's work was labeled as "degenerate"; his refusal to divorce his Jewish wife, Hilde (whose family later fled the country) further hurt his prospects. After the war he still took an interest with the subjects of classical antiquity and myth, but never returned to the medium of oil or watercolor. He became depressed and reliant on medication, and eventually self-admitted to a sanitarium, but continued to work. It was only a year after Hilde's death in 1970 that he stopped producing work entirely. Many artists that were young during the later part of Neumann's career drew inspiration from and identified with his highly abstracted forms. Much of Neumann's earlier work, on the other hand, would have been destroyed by the artist himself had it not been for Hilde taking and storing them. It is thanks to her that, to this day, some of his early work is still known and regarded highly.
Jack Meanwell; Meanwell Jack - After the Shower
$1,500.00
Oil on Canvas Board
16 x 12 ″
Jack Meanwell (1919-2005) was born in Canada, and later moved to Northern Kentucky to begin teaching at the Art Academy of Cincinnati. He ran a studio consistently throughout his career, and became one of Cincinnati's most accomplished modern painters, known for his abstract expressionist landscapes and figurative work. To this day his art is featured in several collections, including the Cincinnati Art Museum, Marietta College, and the University of Windsor.
16 x 12 ″
Jack Meanwell (1919-2005) was born in Canada, and later moved to Northern Kentucky to begin teaching at the Art Academy of Cincinnati. He ran a studio consistently throughout his career, and became one of Cincinnati's most accomplished modern painters, known for his abstract expressionist landscapes and figurative work. To this day his art is featured in several collections, including the Cincinnati Art Museum, Marietta College, and the University of Windsor.
Herbert Barnett - The Bridge Abutment
$7,500.00
Oil on Board
24 x 30 ″
Oil on masonite24 x 30 inchesFramedSigned: Herbert Barnett
24 x 30 ″
Oil on masonite24 x 30 inchesFramedSigned: Herbert Barnett
Harry Reisiger - Landscape #536
$2,200.00
Acrylic on board
22 x 25 ″
Acrylic on Board22” x 25.25"Framed Dimensions: 23” x 27”
22 x 25 ″
Acrylic on Board22” x 25.25"Framed Dimensions: 23” x 27”
Robert Fabe - Untitled (Landscape)
$2,500.00
Acrylic on canvas
24.5 x 36.5 ″
Robert Fabe (1917-2004) was a Cincinnati artist best known for his paintings and murals. Fabe, a veteran of World War II, made many sketches during his time as a soldier, and his experiences added a new dimension and passionate quality to his work. After his discharge he taught fine art at the University of Cincinnati for 30 years, and his work remains a part of many public and private collections, including the Cincinnati Art Museum, to this day.
24.5 x 36.5 ″
Robert Fabe (1917-2004) was a Cincinnati artist best known for his paintings and murals. Fabe, a veteran of World War II, made many sketches during his time as a soldier, and his experiences added a new dimension and passionate quality to his work. After his discharge he taught fine art at the University of Cincinnati for 30 years, and his work remains a part of many public and private collections, including the Cincinnati Art Museum, to this day.
Salvador Dalí - The Corrupt, Inferno- Canto 22, 1960-1964
$10,000.00
woodcut on paper
12 x 9 ″
The Corrupt (Hell: Canto 22), 1960-64
12 x 9 ″
The Corrupt (Hell: Canto 22), 1960-64
Gilbert and George - Italian, 2009
$7,500.00
Mixed Media
48.5 x 35.75 ″
From the series: LONDON TELEPHONE BOX CARD PICTURES
48.5 x 35.75 ″
From the series: LONDON TELEPHONE BOX CARD PICTURES
Frank Rowland - Fire Eye
$1,500.00
Screenprint
23 x 23 ″
Artist proof. Frank Rowland (1927-2012) was born in Pennsylvania and honed his skills at schools including (but not limited to) the School of Display Art in Pittsburgh and the School of the Art Institute of Chicago. He was a master serigrapher and boasted a vast body of works in a variety of mediums - paintings, drawings, photos, and murals along with his prints. Not only did he produce an admirable amount of personal work, but he was also involved in commercial architecture, industrial design, movie set design, museum exhibits, and filmmaking. His legacy is one of variety and vibrance, much like his work: Rowland never let himself be confined to one specific style, tradition, or medium.
23 x 23 ″
Artist proof. Frank Rowland (1927-2012) was born in Pennsylvania and honed his skills at schools including (but not limited to) the School of Display Art in Pittsburgh and the School of the Art Institute of Chicago. He was a master serigrapher and boasted a vast body of works in a variety of mediums - paintings, drawings, photos, and murals along with his prints. Not only did he produce an admirable amount of personal work, but he was also involved in commercial architecture, industrial design, movie set design, museum exhibits, and filmmaking. His legacy is one of variety and vibrance, much like his work: Rowland never let himself be confined to one specific style, tradition, or medium.
Otto Neumann - Untitled, 1967
$7,860.00
Monotype on paper
24.5 x 18 ″
Otto Neumann (1895-1975) was a German expressionist painter and printmaker. Neumann made work based on the human form and his own literary interests, including Dante's Inferno, African fairy tales, and the Passion of Christ. During the Nazi regime, Neumann's work was labeled as "degenerate"; his refusal to divorce his Jewish wife, Hilde (whose family later fled the country) further hurt his prospects. After the war he still took an interest with the subjects of classical antiquity and myth, but never returned to the medium of oil or watercolor. He became depressed and reliant on medication, and eventually self-admitted to a sanitarium, but continued to work. It was only a year after Hilde's death in 1970 that he stopped producing work entirely. Many artists that were young during the later part of Neumann's career drew inspiration from and identified with his highly abstracted forms. Much of Neumann's earlier work, on the other hand, would have been destroyed by the artist himself had it not been for Hilde taking and storing them. It is thanks to her that, to this day, some of his early work is still known and regarded highly.
24.5 x 18 ″
Otto Neumann (1895-1975) was a German expressionist painter and printmaker. Neumann made work based on the human form and his own literary interests, including Dante's Inferno, African fairy tales, and the Passion of Christ. During the Nazi regime, Neumann's work was labeled as "degenerate"; his refusal to divorce his Jewish wife, Hilde (whose family later fled the country) further hurt his prospects. After the war he still took an interest with the subjects of classical antiquity and myth, but never returned to the medium of oil or watercolor. He became depressed and reliant on medication, and eventually self-admitted to a sanitarium, but continued to work. It was only a year after Hilde's death in 1970 that he stopped producing work entirely. Many artists that were young during the later part of Neumann's career drew inspiration from and identified with his highly abstracted forms. Much of Neumann's earlier work, on the other hand, would have been destroyed by the artist himself had it not been for Hilde taking and storing them. It is thanks to her that, to this day, some of his early work is still known and regarded highly.
Otto Neumann - Untitled, 1960
$8,500.00
Monotype on paper
17.5 x 24.5 ″
Otto Neumann (1895-1975) was a German expressionist painter and printmaker. Neumann made work based on the human form and his own literary interests, including Dante's Inferno, African fairy tales, and the Passion of Christ. During the Nazi regime, Neumann's work was labeled as "degenerate"; his refusal to divorce his Jewish wife, Hilde (whose family later fled the country) further hurt his prospects. After the war he still took an interest with the subjects of classical antiquity and myth, but never returned to the medium of oil or watercolor. He became depressed and reliant on medication, and eventually self-admitted to a sanitarium, but continued to work. It was only a year after Hilde's death in 1970 that he stopped producing work entirely. Many artists that were young during the later part of Neumann's career drew inspiration from and identified with his highly abstracted forms. Much of Neumann's earlier work, on the other hand, would have been destroyed by the artist himself had it not been for Hilde taking and storing them. It is thanks to her that, to this day, some of his early work is still known and regarded highly.
17.5 x 24.5 ″
Otto Neumann (1895-1975) was a German expressionist painter and printmaker. Neumann made work based on the human form and his own literary interests, including Dante's Inferno, African fairy tales, and the Passion of Christ. During the Nazi regime, Neumann's work was labeled as "degenerate"; his refusal to divorce his Jewish wife, Hilde (whose family later fled the country) further hurt his prospects. After the war he still took an interest with the subjects of classical antiquity and myth, but never returned to the medium of oil or watercolor. He became depressed and reliant on medication, and eventually self-admitted to a sanitarium, but continued to work. It was only a year after Hilde's death in 1970 that he stopped producing work entirely. Many artists that were young during the later part of Neumann's career drew inspiration from and identified with his highly abstracted forms. Much of Neumann's earlier work, on the other hand, would have been destroyed by the artist himself had it not been for Hilde taking and storing them. It is thanks to her that, to this day, some of his early work is still known and regarded highly.
Otto Neumann - Untitled, 1963
$8,500.00
Monotype on paper
24 x 17 ″
Otto Neumann (1895-1975) was a German expressionist painter and printmaker. Neumann made work based on the human form and his own literary interests, including Dante's Inferno, African fairy tales, and the Passion of Christ. During the Nazi regime, Neumann's work was labeled as "degenerate"; his refusal to divorce his Jewish wife, Hilde (whose family later fled the country) further hurt his prospects. After the war he still took an interest with the subjects of classical antiquity and myth, but never returned to the medium of oil or watercolor. He became depressed and reliant on medication, and eventually self-admitted to a sanitarium, but continued to work. It was only a year after Hilde's death in 1970 that he stopped producing work entirely. Many artists that were young during the later part of Neumann's career drew inspiration from and identified with his highly abstracted forms. Much of Neumann's earlier work, on the other hand, would have been destroyed by the artist himself had it not been for Hilde taking and storing them. It is thanks to her that, to this day, some of his early work is still known and regarded highly.
24 x 17 ″
Otto Neumann (1895-1975) was a German expressionist painter and printmaker. Neumann made work based on the human form and his own literary interests, including Dante's Inferno, African fairy tales, and the Passion of Christ. During the Nazi regime, Neumann's work was labeled as "degenerate"; his refusal to divorce his Jewish wife, Hilde (whose family later fled the country) further hurt his prospects. After the war he still took an interest with the subjects of classical antiquity and myth, but never returned to the medium of oil or watercolor. He became depressed and reliant on medication, and eventually self-admitted to a sanitarium, but continued to work. It was only a year after Hilde's death in 1970 that he stopped producing work entirely. Many artists that were young during the later part of Neumann's career drew inspiration from and identified with his highly abstracted forms. Much of Neumann's earlier work, on the other hand, would have been destroyed by the artist himself had it not been for Hilde taking and storing them. It is thanks to her that, to this day, some of his early work is still known and regarded highly.
Paul Chidlaw - Untitled Abstract, 1984
$8,500.00
Oil on Board
23.5 x 35 ″
Oil on board 23.5 x 35 inches Framed Signed: Chidlaw
23.5 x 35 ″
Oil on board 23.5 x 35 inches Framed Signed: Chidlaw
